Sit down with Yejin Choi by Jake Tartaglia

What makes Channel Candy stand out is their refusal to play by the rules. The Seoul-based collective isn’t just about concerts—they’re about creating raw, unforgettable moments that turn strangers into fans and friends. With a small, fluid team and a hip–hop–rooted DNA, they embrace honesty, speed, and instinct over hierarchy.

For Yejin Choi, who leads communications, it’s never just about being cool—it’s about strategy, timing, and impact. Inspired by cultural disruptors like Ye, Channel Candy sees itself as outsiders, building a platform that connects community and culture in ways that feel real, emotional, and impossible to ignore.

Vultures Listening Experience shot by Alonzo Herllerbach

Channel Candy’s been popping up more and more in conversation—how would you describe what you guys do as a collective or agency?

We are not just concert promoters; we want to create moments that people remember. We are in the business of making friends and fans through memories.

Since you’re such a small team, how do you all divide roles—or is it more fluid and collaborative?

Only 8 people so it’s very fluid. We don’t have super-designated roles. If something happens, it’s very much all hands on.

You said you mainly do comms—what does that usually involve on a day-to-day?

My day is not routine; it’s project-based. If we have a show on July 26th, then I make a monthly schedule starting from the show date, working back. I deal with media, creators, editors, journalists, and any other people who are involved. I have to make many changes throughout the time. I have to write, post, make visuals, and communicate between B2C and B2B.

Do you find yourself covering multiple roles when working on projects? What’s the most unexpected thing you’ve had to take on?

Dealing with customs regarding merchandise.

Channel Candy has a super specific visual and cultural vibe. How would you describe its creative DNA?

Very hip hop based, raw, real, authentic. Say directly what it is and how it is (here’s the show and here’s the date).

Where do you and the team pull inspiration from—fashion? art? internet culture? something else?

Shaun, the CEO, is influenced by his younger times when he lived in Canada; his older brother is into fashion and has been influenced by him. I am personally inspired by Ye because I’ve been a longtime fan of him. He’s not just a music artist. He does a lot of cultural movement. When someone says no to him, he still figures it out, and that’s very inspiring to me. Travis with cactus, Drake, Kendrick. Ye creates new game and is a rule breaker. This is what Channel Candy tries to do. We want to be a rule breaker.

The recent show in Seoul definitely turned heads—what part of the process were you most involved in?

Pr and marketing, but to be more specific, I was very careful and precise about the message we were sending.

As a team, how do you approach building experiences that feel unique but still true to your identity?

We are not systematic; Shaun is very fast-paced and flexible. I can say whatever I want and be honest about how I feel regarding projects and vice versa. There isn’t a hierarchy. Free opinions.

Do you think there’s something unique about how Korean creatives are shaping global culture right now?

Korean people have an instinct to survive. We need to survive.

How do you think Channel Candy fits into that bigger wave of Korean influence in fashion and art?

We do not fit in. I feel like we are outsiders.

What kind of projects or collaborations would you love to do more of in the future?

I would love to do more fashion-related projects. Like the 424 runway show that we did the streaming for. Food and design, living, and architecture. Fashion is fashion, but I want to do something more related to life essentials.

If you could evolve Channel Candy into any format—an agency, label, platform—what would it be?

We are aiming to be a platform, and a platform isn’t one-sided communication. It’s more two-sided, and we want to make a community where everyone can get involved.

What’s been your proudest moment since joining the team?

As a whole team, I saw fans crying at the show, and I’ve never seen fans cry in real life. To think we were the ones who made this happen is crazy. We could see the real fans singing along and crying, and I just felt touched. When I saw my press release on national TV it made me so proud.

What do you feel people misunderstand about the type of work you do?

People think our jobs are aesthetically pleasing, but it’s more about strategy, numbers, and sales. Timing. It’s more than just being cool. I always wanted to work in this field, and I felt like being niche was very important. Sales do matter, so when it’s niche, you need to strategize on how to really be able to sell 50,000 tickets.

Any advice for people trying to get into this kind of creative scene?

Just send dm, send email, reach out to anyone you want to work with. I contacted Shaun and told him I have pr and communication skills and would want to help. Everything is possible. Why not you? Why not me? Why not us?

YE LIVE IN KOREA shot by Kadeem Jackson